Sobriety isn't a word associated with DMB at the dawn of the 2000s. Ryley walker twitter crack#Walker may crack wise on Twitter, but he takes his music seriously, so his version of this shelved 2001 album is very sober indeed. Limited Edition of 100 Sold Out at Source.Ryley Walker cultivated a reputation as an internet jester so news that he decided to cover the unreleased Dave Matthews Band album The Lillywhite Sessions initially seemed to be a prank. All in all, a solid fish fry I’d contend. Brilliantly, the duo brings back those seagull guitar quips in quick bouts, which ultimately don’t impact this softer (and shorter) piece than the A-side. Eventually if you chew long enough, they become little bits of crushed stars: once again the two take towards a more astral twang as the drone spreads out. It’s opening centers on the two players making a twangy, squiggly sound that is the equivalent of chewing around a sack of sunflower seeds in yr mouth. Side B meanwhile is a little more chipper n’ skipper, replicating that first third of the former’s quietness. When Side A is not still, it is never not casual two minds in a deep listen and practice with each other testing how far they can upset the balance set forth so nicely in the first third. Eventually it becomes a jangly noiser worthy of a freeform dance or images of tightly wound buildings. When the guitar stops sounding like a whale it terraforms into a bunch of bleeping seagulls. Well, until its final third, but its often only in contained, nimble doses. Ryley walker twitter full#See how prances and glistens, calmly setting up the listener for when a noisier, hulkier sonic mass appears a third of the way down? And even when it turns semi-loud, the duo are careful never to go full hog wild. Excellent bouts of guitar wailing that begets majestic whale noises that Chris Martin and Co. Anyway, Side A kinda sounds like a botched attempt to recreate the emotions brought forth from that ten-minute Coldplay song from last year. What sounds we got on both sides though are sizzling, and I continue to hold out for more Walker tape collabs or label samplers. This has one of ‘em blank inserts–Im not sure if its a c30 or c40, who played what, and what the catering situation was like. (Or you could just go back to the year-end podcast, where part of it was sampled). Walker to provide you a way to listen to it, then you likely will never hear it. Unless you picked up a tape or somehow can badger Mr. Such was the case when in December he did a no-frills, “by the heads, for the heads” release of a “fried as fuck, practice space drones” tape release entitled DRZWI DOORS Steve Gunn (who sometimes makes albums for the label that Come and TF282 released stuff on) co-stars as collaborative du jour for this release. However, I’d also warrant that this is a respectable MO that purposefully forces a listener like myself to make the commitment to the bizarre times he wants to throw a post on twitter or bandcamp up with an actual tape release. Ryley walker twitter code#Walker’s decision to (almost entirely) forego the cassette has made getting copies of his works in formats that comply with the Tabs Out Ethical Code of Honor an excruciating experience. None of this is exactly shocking, especially considering if you heard the end-of-the-year wrap up podcast with noted-Chicago post-wook gtr plyer Ryley Walker, who personally told us something that amounted to this. Also yeah, CDs are perpetually in vogue and more potent than a vinyl, which the cassette is regulated to a merch table exclusive for time travelers from 2008. In the Husky Pants Records swing of things, a bootleg Thinking Fellers Union 282 t-shirt is an ancillary to a used CD of Come’s Eleven: Eleven. Ryley Walker and Steve Gunn – DRZWI DOORS
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